A few examples of appraisal values for
SUNDAY MORNING SIGNED

• "Sunday Morning" offset lithograph
  "Sunday Morning" offset lithograph by Joseph Mugnaini, whose work was used for Ray Bradbury books, with title, numbering, and signature to lower image; overall good condition; image 21 1/2" x 14 1/2", 32 1/4" x 26" (approx.)
• E. FARLEY SIGNED "SUNDAY MORNING"
  E. FARLEY SIGNED "SUNDAY MORNING" OIL ON CANVAS Oil on canvas painting depicting an English town landscape with groups of figures outside a church and cemetery in the foreground, titled "Sunday Morning" in gold-tone metal plaque and signed "E. Farley" to lower left, housed in a gilt wooden frame with foliate motif. Image: 24.5" H x 34" W; frame: 31" H x 40" W x 2.5" D.
• ANDY WARHOL FOR SUNDAY B. MORNING
  ANDY WARHOL FOR SUNDAY B. MORNING (AMERICAN, 1928 - 1987) 19 ¾" x 15 ¾" "Dollar Sign Suite". Set of 4 color silkscreen prints on museum board after Andy Wahol's famous dollar sign prints, stamped verso "published by Sunday B. Morning", edition P/P (Printer's Proof) 9/1000 in pencil verso, unframed. Lot includes a Certificate of Authenticity from Sunday B. Morning for each of the 4 silkscreens.
• Sunday B. Morning. I Love Your
  Sunday B. Morning. I Love Your Kiss Forever Forever. screenprint in colors. 16¼ h × 22½ w in. result: $252. estimate: $500–700. Stamped to verso 'Fill in Your Own Signature Published by Sunday B. Morning'. Numbered to verso ‘68/2500’. This work is number 68 from the edition of 2500 published by Sunday B. Morning.
• ERNIE CRICHLOW, "SUNDAY MORNING",
  ERNIE CRICHLOW, "SUNDAY MORNING", ETCHING, SIGNED Ernest Crichlow (American 1914-2005), 1974, "Sunday Morning", etching on paper, numbered 6-20, signed and dated at lower right and titled in pencil in lower center. Provenance: From the Estate of Marilyn "Mickey" Bord, New York, NY. A native New Yorker, Bord formed a deep personal and professional relationship with famed dancer and choreographer Alvin Ailey. Mickey dyed and sewed costumes for the Alvin Ailey Dance Company and eventually served as archivist. Ailey's foundational interest in the African American cultural experience informed the art collection that he assisted Marilyn in acquiring, much of which is offered in this auction. Approx. sight h. 20", w. 13.5". Overall h. 31", w. 24".
• THOMAS HART BENTON (1889-1975)
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPHThomas Hart Benton (1889-1975)Sunday Morning (1939)The lithograph from an edition of 250 prints published by Associated American Artists is signed by the artist in pencil below the image lower right, listed as Fath catalog number 26, and printed on Rives watermarked paper as shown here.Benton's comments in Fath read: ''From a drawing made in south Arkansas in 1938. Characteristic negro church of the time.''Image measures 9.5 x 12.75 on a 12 x 16 inch sheet with an overall framed size of 18 x 21 inches.The complete sheet with four deckle edges, not laid down, scattered edge tears, toning, mat burn, foxing and stain overall.
• THOMAS HART BENTON (AMERICAN, 1889-1975)
  THOMAS HART BENTON (AMERICAN, 1889-1975) "SUNDAY MORNING" 1939. Lithograph. Signed 'Benton' (lower right). Edition of 250.
• N. Currier colored lithograph titled
  N. Currier colored lithograph titled Sunday Morning In The Olden Time after the work of William Collins. ?
• THOMAS HART BENTON (1889-1975):
  THOMAS HART BENTON (1889-1975): SUNDAY MORNING Lithograph signed in the plate. 9 1/2 x 12 5/8 in. (image sight) 16 1/2 x 20 5/8 x 1 in. (frame).
• Early Christian Leaders Billy Sunday
  Early Christian Leaders Billy Sunday & S. Parkes Cadman Autographs Lot of 3 including Billy Sunday signed photograph; and S. Parkes Cadman TLsS (2). Photograph of Sunday with inscription to his friend Horgan(?) center with W.A. Sunday / Psalm 34 and Mch(?) - April 1921 on right. (possibly Michigan?) Slight water stain along left third. William Ashley ''Billy'' Sunday (1862-1935) was born in Iowa. His father was died of disease in the Civil War just five weeks after he was born. Mother and sons lived with her parents for a while but eventually Billy and his brother were sent to Soldiers' Orphan's homes. As a young man Billy's physical athleticism gained notice and he was signed to the defending National League champion Chicago White Stockings. He played ball for seven years before committing his life to Christian ministry. He used elements of the game and amateur competition to publicize and highlight his ministry. Billy Sunday became such a popular preacher by the first quarter of the 20th century that he could demand that a community build an auditorium for his meetingsand he might spend a month in a town conducting meetings every day. The lot also contains two typed notes signed by S. Parkes Cadman one is a short letter to ''Mr. Little'' dated 16 March 1925 regarding the 6th commandment the other a response to a request for an autograph dated 5 Jan. 1932. Samuel Parkes Cadman (1864-1936) a contemporary of Billy Sunday's did not choose the traveling revival meeting format to reach out to the masses although his ministry attracted large crowds in New York City. By the 1920s he decided to use the new medium of radio to reach beyond the city and about the same time he began a daily newspaper column. Condition: Earlier Cadman letter with some toning small water stain along fold. Short note with ghost of another signature lower left.
• Liz Isaacs, Gardening Sunday Morning,
  Liz Isaacs, Gardening Sunday Morning, oil on board, signed lower left, approx 26cm X 16cm
• 10 SILKSCREENS AFTER ANDY WARHOL-
  10 SILKSCREENS AFTER ANDY WARHOL- SUNDAY MORNING10 colorful silkscreens after Andy Warhol on museum board paper, stamped on verso in blue 'Published by Sunday B. Morning' and 'Fill in Your own Signature'. Each measures 36"H x 36"W.
• THOMAS HART BENTON (AMERICAN, 1889-1975),
  THOMAS HART BENTON (AMERICAN, 1889-1975), SUNDAY MORNIN...Thomas Hart Benton (American, 1889-1975), Sunday Morning, 1939, lithograph on paper, pencil signed lower right, sight size: 10 1/4" x 13". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• HERMAN N. HYNEMAN (1849 - 1907),
  HERMAN N. HYNEMAN (1849 - 1907), SUNDAY MORNING, OIL ON...Herman N. Hyneman (1849 - 1907), Sunday Morning, oil on canvas, signed lower left H.N. Hyneman, in Victorian frame, 36" x 24". Provenance: Nadeau's Auction Gallery receipt from March 24, 2001. Condition: Craquelure throughout, dirty, frame wear, a lot of inpainting (photoed). All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• AFTER CAESAR MONTURANO (AMERICAN,
  AFTER CAESAR MONTURANO (AMERICAN, 20TH CENTURY), 'SUNDAY MORNING, CHRIST CHURCH, ALEXANDRIA, VIRGINIA', CHROMOLITHOGRAPH, SIGNED AND NUMBERED FRAME: 29 X 25 IN. (73.7 X 63.5 CM.)After Caesar Monturano (American, 20th Century), 'Sunday Morning, Christ Church, Alexandria, Virginia', Chromolithograph, Signed and Numbered, Dimensions: Frame: 29 x 25 in. (73.7 x 63.5 cm.)
• Thomas Hart Benton (American 1889-1975)
  Thomas Hart Benton (American 1889-1975) Sunday Morning Lithograph on paper Associated American Artist edition of 250 with original label on verso; signed l.r.; plate size 9.5 x 12.5 in. Condition: Some toning otherwise in good condition.
• ARTHUR SARNOFF "SUNDAY MORNING"
  ARTHUR SARNOFF "SUNDAY MORNING" OIL ON CANVAS Arthur Saron Sarnoff (American, 1912-2000) "Sunday Morning" oil painting on canvas depicting a dockside landscape scene with a figure beside his boat, signed lower right, titled to gallery label on reverse, housed in a carved gilt wood frame. Image: 23.5" H x 29.5" W; frame: 32.75" H x 38.75" W. Note: Arthur Sarnoff was a student of Andrew Wyeth (American, 1917-2009) and John Clymer (1907-1989) and graduated from the Grand Central School of Art in New York City. His illustrations appeared in many advertisements over the course the twentieth century. Provenance: From a 50 Madison Avenue estate.
• WINSLOW HOMER, SUNDAY MORNING IN
  WINSLOW HOMER, SUNDAY MORNING IN OLD VIRGINIAPhotogravure after Winslow Homer's Sunday Morning in Old Virginia. Engraved by Goupil & Co., Paris and published by D. Appleton & Co, New York, circa 1888-91, matted and framed. Gilt accented period frame measures 17 1/2" x 21 1/2". shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• Jean Ekman Adams (American, Arizona,
  Jean Ekman Adams (American, Arizona, 20th Century) "Sunday, Sunday", watercolor on paper, sight 9-1/4" x 12-1/2", signed lower right "Jean Ekman Adams". Glazed, matted and presented in a chrome frame.
• ANDY WARHOL FOR SUNDAY B. MORNING
  ANDY WARHOL FOR SUNDAY B. MORNING (AMERICAN, 1928 - 1987)) 36" x 36" "Marilyn #29". Color silkscreen print on museum board after Andy Wahol, stamped verso "published by Sunday B. Morning", unframed.
• 1 vol. Vonnegut, Kurt. Palm Sunday.
  1 vol. Vonnegut, Kurt. Palm Sunday. New York: Delacorte, (1981). First edition, first printing. 8vo, orig. cloth & bds.; light edge wear, d/j (minor edge wear). Signed by Vonnegut on front free endpaper recto. In custom cloth slipcase.
• DAVID M. CHURCHILL, 'SUNDAY MORNING',
  DAVID M. CHURCHILL, 'SUNDAY MORNING', WATERCOLOR, FRAMED: 19 X 22-1/4 INCHESDavid M. Churchill, 'Sunday Morning', Watercolor, Framed: 19 x 22-1/4 inches
• SUNDAY B. MORNING AFTER ANDY WARHOL
  SUNDAY B. MORNING AFTER ANDY WARHOL (AMERICAN 1928-1987...SUNDAY B. MORNING after ANDY WARHOL (American 1928-1987) A PRINT, "Mao-Yellow," LATE 20TH/21ST CENTURY, silkscreen on card, published and printed by Sunday B. Morning; 33 1/4'' x 29 1/4'', framed 37'' x 33''. Condition: There are no visible condition issues. Not examined out of the frame. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• ANDY WARHOL FOR SUNDAY B. MORNING
  ANDY WARHOL FOR SUNDAY B. MORNING (AMERICAN, 1928 - 1987)) 36" x 36" "Marilyn #27". Color silkscreen print on museum board after Andy Wahol, stamped verso "published by Sunday B. Morning", unframed.
• ANDY WARHOL FOR SUNDAY B. MORNING
  ANDY WARHOL FOR SUNDAY B. MORNING (AMERICAN, 1928 - 1987)) 36" x 36" "Marilyn #25". Color silkscreen print on museum board after Andy Wahol, stamped verso "published by Sunday B. Morning", unframed.
• Michael Charles Taylor (Chattanooga,
  Michael Charles Taylor (Chattanooga, Tennessee, late 20th/early 21st century), "Saturday Morning, 1975", watercolor and gouache on paper, signed lower right "Michael Charles Taylor/75", 25-3/4 x 31-1/2 in., modern 22 kt. gilt wood frame,
• ANDY WARHOL FOR SUNDAY B. MORNING
  ANDY WARHOL FOR SUNDAY B. MORNING (AMERICAN, 1928 - 1987) 35 ?" x 35 ?" "Marilyn #31". Color silkscreen print on museum board after Andy Wahol, stamped verso "published by Sunday B. Morning", unframed.
• Eng Tay (Malaysian/American, b.1947),
  Eng Tay (Malaysian/American, b.1947), "A Fine Sunday"; color etching; 15 1/4" x 19 3/4"; pencil signed, titled, and numbered 22/175 in lower margin.
• DAVID SCHLUSS."MORNING MELODY,"
  DAVID SCHLUSS."MORNING MELODY," SERIGRAPH Serigraph, ed. EA 6/50, pencil signed lr, COA affixed on verso, image size: 13 x 12 3/4 in., framed.
• CHRISTINE CANCELLI (AMERICAN, 20TH/21ST
  CHRISTINE CANCELLI (AMERICAN, 20TH/21ST CENTURY), MORNING BREEZE Pastel on paper, signed at lower left, matted and framed.
• After Clementine Hunter (American/Louisiana,
  After Clementine Hunter (American/Louisiana, 1886-1988) "Sunday Morning", needlepoint presented in a stained and glazed shadowbox frame, h. 21-3/4", w. 15-3/4".
• Jean Coval Garro (American, b.1922)
  Jean Coval Garro (American, b.1922) "Sunday Morning" Oil on canvas Hoosier landscape Signed lower right. Jean Garro, lifelong Indiana resident, studied with Elmer Taflinger, Lois Sinnett, Francis Brown, and others. The prize winning artist has exhibited at numerous shows and salons. Her works hang in a number of prominent private and corporate collections. 18" x 24"
• Thomas Singleton (American, 20th
  Thomas Singleton (American, 20th century), "Spring Morning, 1940", signed lower left "Thomas Singleton 40" and signed and titled verso, oil on canvas board, 10-1/2 x 11-1/4 in., original painted and gilt wood and composition frame,
• Christina R. Bates Engraving ''Sunday
  Christina R. Bates Engraving ''Sunday Goingto Meeting'' #84 of 300 pencil signed South Carolina scene image area 12'' x 17 1/2''.
• CLYDE J. SINGER (AMERICAN, 1908-1999)
  CLYDE J. SINGER (AMERICAN, 1908-1999) 24" x 32" "Parking Lot, Sunday Morning, East Front St.", 1954. Oil on canvas, signed "C. Singer" in the lower left corner, artist signature, title, and date inscribed on canvas verso, framed in a distressed wooden frame, overall 31 ½" x 29 ½".
• CHURCHILL ETTINGER ETCHING "NOVEMBER
  CHURCHILL ETTINGER ETCHING "NOVEMBER MORNING"Churchill Ettinger (American 1903-1984) Etching "November Morning" , pencil signed lower right and titled lower left. 9.25 in. x 12 in. Overall 17 in. x 21 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.